Friday, September 19, 2008

When Community Transformation Comes Up Short

For the past few years the church I attend, as well as the parent church from which it sprang, have had a goal that they call "community transformation". The core of this goal is an admirable one: transforming the local community (Marietta, Cobb County, and the surrounding area) into a community that models God's ideal in its thoughts, words and actions. It's a great idea (at the very least, it's better than no goal, or even a goal like "spiritual insulation" or "cultural isolation"), and I hope it comes to pass.

Still, I wonder.

A few weeks ago while channel-surfing I stumbled on Heavens Above! (1963) playing on TCM. A minor Peter Sellers comedy, it was wry and enjoyable. I didn't think much about it at the time, but having pondered it for a while I think it has much to say about the church in modern times. So I'd like to offer it as a counterpoint to what might come about through all this "transformation":

Sellers plays the Reverend John Smallwood, a cleric of the Church of England who has been appointed parson of an upper-middle class village. Almost immediately, he begins to offend the sensibilities of most of his parishioners, for Reverend Smallwood is genuinely concerned about the larger (i.e., unchurched) world beyond the church walls. Confronted with a community that prefers its Christianity safe, un-involved and non-threatening---or at least not requiring any real change in one's mindset about relating to the secular world---he digs in his heels and hews to the Scripture. Eventually, a wealthy woman in the parish is convicted by Jesus' teachings about giving to the poor and having treasure in heaven. Having "seen the light" she turns from being Smallwood's staunchest enemy to his bankroller, and gets on board with Smallwood's plan to provide free food to the local poor. Signs are put up announcing the plan and inviting all to come.

So far, so good.

The trouble is, the wording of the invitation is ambiguous, and soon the majority of those seeking the church's handouts are the town's middle-class inhabitants. Nor is this humble charity; the items offered by Smallwood's program include the sort of luxuries that most people of that time and place would be hard-pressed to secure even with steady incomes (fine wines, deluxe chocolates, expensive cigars). Predictably greed emerges, with the free-loading church folk coming to blows over who has received the larger share of the "goodies". And businesses grind to a halt as the local butcher, fishmonger, baker and others find that no one wants to pay for their wares when they can get them free from the church.

Things only get worse with the passage of time. Smallwood's church superiors try to have him declared mentally incompetent, but accidentally consign the wrong man, a fellow parson with the same last name. Smallwood then bashes Tranquilax, a popular feel-good medicine, as nothing more than a worthless imitation of sufficiency in Christ; within weeks, Tranquilax sales are in sharp decline and the company that produces it faces bankruptcy. In an interesting twist, it turns out that wealthy woman is the widow of the company's founder, and her worldly son is understandably agitated at how Smallwood is ruining his business. Finally, the town turns on Smallwood: its inhabitants are nearly all unemployed thanks to his "charity", and the free food distrubution has been stopped abruptly. Smallwood is forced to leave town or suffer a lynching, and as if that weren't enough, he discovers that the indigents who he has been boarding have suddenly disappeared after cleaning out his house.

I won't give away the ending, except to hint that Smallwood ends up deciding that earth is not the place for him to preach the gospel. Consider that this film was put out during the same decade that saw the moon race, and you can guess well enough where he ends up.

I imagine the first reaction of most committed Christians would be, "Well, that's Hollywood for you; you can't trust them to offer an unbiased look at the Truth." And looking back over the past thirty or forty years of cinema, you'd have a point. Christians are portrayed as hypocritical and narrow-minded, concerned more with appearances than substance, missing the forest for the trees in terms of general morality, and all too eager to compromise their message in order to fit in or stay culturally relevant. If you've seen Saved! (2004), you know that this is the general presentation.

But this film is much different. Smallwood isn't putting on airs and he isn't trying to please men; he's actually quite concerned about doing things God's way, and he displays the sort of humble concern for the unfortunate that most of us suspect is the right way to live but aren't willing to fully embrace. Most importantly, he's willing to act on that concern, even if it offends other "Christians". The trouble is that when he does so, it leads to unforseen consequences that eventually sabotage his good works. Caring for the poor is noble and godly, but what happens when, while caring for them, we ourselves become impoverished, and no one is around to help us?
If our local church decided to act as it ought to, and we knew that these actions would put most of us in the poorhouse ourselves, would we be willing to keep living that way?

Interestingly enough, the most damning portrayal of humanity in this film is not of the parson; it's of the poor. Rather than being grateful for the kindness shown them, they feel entitled to it, and become even more demanding. To them the church is not a beacon of hope for living but a bastion of naivety waiting to be exploited; they will take from it what they need and then move on, without any thought to those who have provided for them. Indeed they seem to have a better understanding than Smallwood of how the world really works, and they are in a sense "wise" enough not to spoil a good thing by becoming more than superficially religious. When there is nothing left for them, they depart in search of greener lands.

To this one might say, "Well, if that happens, God will feed us and clothe us and take care of us. And He will work on the hearts of the poor to change them." And one can certainly hope that He does. But what if nothing seems to happen? What then?

Perhaps the ending offers a clue. When we last see (or hear) of Smallwood, he has "slipped the surly bonds of earth" and is singing old hymns to the cosmos (meanwhile, down below, the other Smallwood has become the church's new pastor, and has had to start at square one). You could look at this in two ways. On the one hand, maybe the film is saying that true Christianity isn't fit for this world; there are too many things that can go wrong. Better to keep your religion minimal (i.e., church every few Sundays, plus Christmas and Easter) and your living secular.

On the other hand...maybe it's trying to say that this world isn't fit for Christianity; that there are too many half-hearted, self-centered "Christians", and too many self-centered non-Christians, for it to work. In the end, maybe only out there, where there's no one but God and man alone, is where it's perfect. And if that's the goal we're aiming for (pilgrims in a strange land, waiting for a final Heavenly abode), maybe that's just about right.

Still, we do what we can here on earth.
Peter Sellers as The Reverend Smallwood

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